Local committee moving forward with vision for King Records building

Celebrity benefit concert being planned
University of Cincinnati exchange student Valerie Erd grew up in the Netherlands, so she wasn’t familiar with King Records.

She is now.

Erd and 31 other students in UC’s College of Design, Architecture, Art and Planning just completed a fall studio project to create architectural 3D models and interior design renderings for the future revitalized King Records building in Evanston. Eight teams came up with eight different designs.

“It’s really focused on the musical aspect,” Erd said about her team’s design. “You get to play some instruments in there yourself. You get to try out the guitar or a drum set.”

The design project was perfectly timed for supporters of the King Records Legacy initiative. In October, Cincinnati City Council approved a motion from Mayor John Cranley to create the King Records Legacy Committee.

The 14-member group, led by Kent Butts, will be responsible for overseeing the revitalization of the old building on Brewster Street and creating a use for it. The group is made up of former King Records artists, like singer Otis Williams, drummer Philip Paul and singer Bootsy Collins, along with his wife, Patti Collins. It also includes former Evanston Community Council president Anzora Adkins and current president Gregory Stewart, along with local business leaders Edgar Smith, Andrew DeWitt, Andrew James and Carl Satterwhite, attorney Steve Goodin, and community leaders Marvin Hawkins and Elliott Ruther.

Butts is Williams’ son. He and several of the King Records alumni have been working for years to see the building saved and developed.

“We want to have something that has life to it, so that means obviously we have to get with funding,” Butts said. One task assigned to the committee is organizing a celebrity benefit concert as part of a capital fundraising campaign.

“That concert will definitely be here in Cincinnati and it will be a big concert. It’s not just going to be any type of concert,” Butts said. “It’s going to be something big, probably something that Cincinnati hasn’t seen.”

Butts said he has already heard from several performers interested in being part of the effort, though he isn’t ready to release any names. The committee will also need to come up with a plan to keep the redeveloped King Studios site financially sustainable.

“It is our responsibility to make sure that the legacy stays alive,” Patti Collins said. “That’s why we are the committee that we are right now.”

Committee members say they are at the very early stages of the process, but they’re excited nonetheless.

“It’s unbelievable. I don’t believe it’s happening,” said Paul, who said he also wants the end product to have a grand impact.

“We need it big, regardless of what anybody says,” Paul said. “Because, I was here. I was here 70 years ago.”

Paul played drums on hundreds of King Records recordings.

Syd Nathan started King Records in 1943 with a list of popular country artists like Bonnie Lou and the Stanley Brothers. After a few years, Nathan began recording with R&B artists like Williams, who started the group Otis Williams and the Charms, with his fellow classmates from Withrow High School. King became popular with other artists and songwriters who produced classic hits like “Fever” and “Twist.”

“We were around before Motown or Stax,” said Collins, referring to other popular R&B record labels formed after King Records. The Cincinnati-based label is also credited for having an integrated workforce and creating a complete production process that created records from recording to packaging on the premises.

UC students learned much of the history of King Records as part of their project, and incorporated it into their vision of how the building could be used today.

“We have proposed as kind of like an exhibition, where people can come and see their records being made and watch the whole process,” said Halle Potoczak, a fourth-year architecture student. Many committee members viewed the students’ displays during a community unveiling this week.

“When I saw all of those exhibits displayed, I cried,” Collins said. “It brought tears to my eyes. Finally we have vision right before us, you know? We were all imagining what it could look like.”

Architecture Professor Henry Hildebrandt said the students talked to Evanston residents and former King Records artists to get direction and ideas.

“With our interviews with the Evanston community, we agreed that there was an educational component that would be important: music education,” Hildebrandt said. “As well as a performance venue.”

Maddie Baskin is a fourth-year interior design student who worked with Potoczak. She said their project tried to capture the energy and vibrancy of King’s music.

“(We wanted to bring) it to life for kind of a new generation, as well as for other people who were part of that generation to kind of return back to,” Baskin said.

Butts said he wants more people in the community to see the students work. He would like to see the displays travel to different locations around the city.

“It’s becoming a vision for everybody,” Butts said. “This is for everybody.”

Pepperminte Patti reads a story at Cincinnati Children’s Hospital – March 2018


Ouiwey & Bootsy Funked Up West Union High School’s Fight Song.  There was a CD cover contest! Look who won⭐️ – March  2018

CD cover contest West Union High School


Aspiring IU musicians get lessons in ‘Funkology’ from Bootsy Collins – March 2018 


When funk music pioneer William “Bootsy” Collins strolled into the Neal-Marshall Black Culture Center this week, he was greeted by a roomful of Indiana University Bloomington students excitedly bonding over one of his songs playing overhead.

The question-and-answer session happened before Collins’ “Funkology” lecture Tuesday at IU Cinema alongside Scot Brown, professor of history and African American studies at UCLA. The event opened with the IU Soul Revue performing hits associated with Collins’ own collection as well as his work with funk legends James Brown and George Clinton.

The passion Collins saw in the crowd of students clearly meant a lot to him.

“Being around youngsters just gives me so much energy, man,” he said.

Throughout the night, Collins passed on words of encouragement to the IU students who’d come to see him. He told them to take advantage of the opportunities IU offers while they’re here.

“Until you get out of IU, you don’t realize how blessed you are to be here,” he said. “Don’t take it for granted.”

Collins’ down-to-earth lecture included his elation at discovering that, years ago, he could actually be paid for his musical work. Today, he is most famous for his work with James Brown in the 1970s, his work with George Clinton’s Parliament, and his bass guitar and vocal performances.

Collins’ easy presence gave sophomore Jada Lucas a sense of the power of being able to hear the funk pioneer speak in person.

“I think the diversity factor of it, having such a prominent black artist come up here, is such a big deal, and it exposes us to parts of the world we’ve never seen before,” she said.

Each student’s question was so informed, it was clear the students had a real desire to learn more about the industry and Bootsy Collins himself.

After his lecture, Collins sat in on an IU Soul Revue rehearsal, where students performed for him and heard his feedback.

Junior Peyton Womock has been a fan of Collins since he was a kid, after listening to the legend’s music with his dad. He even got to perform a saxophone solo during the rehearsal.

“It was a little bit of nerves, but at the same time it was amazing because this was my opportunity to show what I love to do,” Womock said.

Collins wrapped up his night on the Bloomington campus with advice for the hopeful future musicians who stood before him.

“The more you give of yourself, the more you’re going to get back,” he said. “If it’s something you know you want to do, put it all in.”

Collins’ visit to the Bloomington campus was presented by the Archives of African American Music and Culture with sponsorship from the Office of the Provost; the Office of the Vice President for Diversity, Equity and Multicultural Affairs; the Neal-Marshall Black Culture Center; the African American Arts Institute; the Department of African American and African Diaspora Studies; and IU Cinema.

Conversations With Bootsy. Contact us for Bootsy to come to your school, college or venue for your Funkology 101 – March 2018

Together We Can/Bootsy Collins Foundation Campaign in New Richmond, Ohio-Flood Clean Up.  Thank you to all of our volunteers who participated in the New Richmond clean up!  Together We Can!! – March 2018


Get your Conversation on with Bootsy⭐️ / DJ Lance & Pepperminte Patti in LA⭐️ – March 2018



Cabin Fever Music and Arts Festival-February 2018

The first annual Cabin Fever Music and Arts Festival was held in Ludlow, KY on February 24, 2018.  This event allowed listeners to experience an eclectic urban community and its unique and artistic offerings!Folk School Coffee Parlor, Matt Ogden Productions, and the Bootsy Collins Foundation teamed up to create the Cabin Fever Music Festival. This one evening event featured music at 6 venues to provide an evening of alternative music stylings ranging from folk to punk, with everything in between while highlighting local artist.
The Jerry Springer Podcast and Guardian Savings Bank graciously sponsored this music and arts extravaganza to not only highlight the community but to allow proceeds from the event to support the Bootsy Collins Foundation’s Say It Loud—Instruments 4 Every Child and Pepperminte Patti’s Grooveminte Girls programming!





Patti Collins, cares about keeping the music alive as she speaks at Ted X Cincinnati!

This is a great example of children keeping the music alive!
Check it out!